Maurizio Cattelan, Zoe Saldana join iconoclastic Vatican Biennale exhibition inside women’s prison

VENICE, Italy (AP) — A pair of nude feet — dirty, wounded and vulnerable — are painted on the façade of the Venice women’s prison chapel. It's the work of Italian artist Maurizio Cattelan and part of the Vatican’s pavilion at the Venice Biennale contemporary art show in an innovative collaboration between inmates and artists.

That Cattelan is the lead artist is striking, given that his provocative life-size wax statue of Pope John Paul II lying on his side, crushed by a massive meteorite, shocked Catholics when it was displayed at the 2001 Biennale. The new work, titled “Father,” is considered a thematic counterpoint to a performance piece he produced for the 1999 Biennale titled “Mother,” during which a religious ascetic was buried under sand, with only his hands clasped in prayer showing.

The Vatican’s culture minister, Cardinal Jose Tolentino de Mendonca, praised the work, which he said recalled the naked, dirty feet of Caravaggio’s saints, while also being highly symbolic of the journey behind the Holy See’s pavilion, showing “the desire to dirty one’s feet, to show that whoever has feet has a carnality.’’

Tolentino de Mendonca, prefect of the Dicastery for Culture and Education, said the Vatican did not want to shy away from artists or works that might be considered iconoclastic, or critical of institutions like the Catholic church.

“Pope Francis calls us to dialogue. Dialogue is not just with the people who are mirrors of ourselves,’’ he told The Associated Press. “We did not seek out easy artists. We sought real artists. Cattelan’s work is very interesting under a religious point of view, because there is something iconoclastic in his work, but also in the mystic there is something that can be called iconoclastic, in the sense of deconstructing the religious representation.’’

Pope Francis, who met with over 200 artists in the Sistine Chapel last year, will see for himself when he visits the pavilion April 28, meeting inmates and artists, and according to the prefect not just the ones participating in the pavilion.

Cattelan, who wandered by the work as preview tours continued this week, declined to discuss his contribution but said the feet would be reproduced on a church in Rome in the future.

Cattelan’s artwork can be viewed by anyone who makes the trek to the Giudecca island prison. Those who want to see the other works will be guided through the prison on four daily tours by inmates, leaving bags and mobile phones in lockup.

Closed Wednesdays, a maximum 600 people will view the pavilion each week during the Biennale's run from April 20-Nov. 26. The 60th International Art Exhibition comprises 88 national pavilion s along with a main show curated this year by Brazilian Adriano Pedrosa.

On a recent tour, three inmates wearing elegant black and white smocks made by prison seamstresses guided journalists through an installation by Simone Fattal who transformed inmates’ poems into small ceramic plaques hung along a brick alleyway.

The tour continued to a prison coffee bar decorated with posters by onetime Catholic nun Corita Kent and into a gallery where Claire Tabouret has painted images from photographs provided by inmates of themselves and loved ones.

The conceptual artistic duo known as Claire Fontaine provided a neon eye with a slash through it for an outdoor corridor, and another neon sign that reads: “Siamo con voi nella notte," (“We are with all of you in the night”).

That sign, in a courtyard where the inmates can gather during the day, provides a reassuring blue glow into the overlooking cells where they sleep.

“When we read this writing, it gives us encouragement, because there is someone with us day and night,” said one inmate named Manuela, who like the others declined to give their full names. “At night, we see the blue light, so we know it is there.”

The tour ended with a 15-minute film by Italian director Marco Perego starring his wife, actor Zoe Saldana, both of whom tagged along. Saldana plays an inmate in her final hours before release, and she took inspiration from the inmates who appeared in the film. To protect their privacy, the film can only be seen within the prison walls.

“What we wanted to provide for them was just a little bit of visibility, and to add a little bit of levity through art, which is exactly what we accomplished,’’ Saldana said.

Their desire for visibility was expressed in letters that the women gave the couple each night after filming, and through requests to pose with the couple for photos, which Saldana said they printed as keepsakes for the women.

Chiara Parisi, the director of the Centre Pompidou-Metz and one of the curators, said the project created a unique synergy between artists and inmates that opened lines of empathy. After the pavilion closes at the end of the Biennale, she said a coat of paint would likely cover Cattelan’s work, while the other pieces will find other venues; she said she hoped its larger legacy would be other similar initiatives.

“Through this pavilion, we hope to truly demonstrate the desire for freedom, the work to get out, to be free is something essential," Parisi told AP. “Detention is a moment in their lives, and the artists say so, they themselves say so. Just a moment, a photograph, that should not impact what comes after, should not prejudice their future lives.”

U.S. actress Zoe Saldana looks to her husband and movie director Marco Perego during press preview inside the women's prison at the Giudecca island during the 60th Biennale of Arts exhibition in Venice, Italy, Wednesday, April 17, 2024. A pair of nude feet dirty, wounded and vulnerable are painted on the façade of the Venice women's prison chapel, the work of Italian artist Maurizio Cattelan and part of the Vatican's pavilion at the Venice Biennale in an innovative collaboration between inmates and artists. (AP Photo/Luca Bruno)

An installation by artist Simone Fattal is displayed inside the women's prison at the Giudecca island during the 60th Biennale of Arts exhibition in Venice, Italy, Wednesday, April 17, 2024. A pair of nude feet dirty, wounded and vulnerable are painted on the façade of the Venice women's prison chapel, the work of Italian artist Maurizio Cattelan and part of the Vatican's pavilion at the Venice Biennale in an innovative collaboration between inmates and artists. (AP Photo/Luca Bruno)

An installation by artist Claire Tabouret is displayed inside the women's prison of he Giudecca island during the 60th Biennale of Arts exhibition in Venice, Italy, Wednesday, April 17, 2024. A pair of nude feet dirty, wounded and vulnerable are painted on the façade of the Venice women's prison chapel, the work of Italian artist Maurizio Cattelan and part of the Vatican's pavilion at the Venice Biennale in an innovative collaboration between inmates and artists. (AP Photo/Luca Bruno)

An installation by artist Sonia Gomes is displayed inside the church Santa Maria Maddalena Convertita at the women's prison of he Giudecca island during the 60th Biennale of Arts exhibition in Venice, Italy, Wednesday, April 17, 2024. A pair of nude feet dirty, wounded and vulnerable are painted on the façade of the Venice women's prison chapel, the work of Italian artist Maurizio Cattelan and part of the Vatican's pavilion at the Venice Biennale in an innovative collaboration between inmates and artists. (AP Photo/Luca Bruno)

An installation by artist Sonia Gomes is displayed inside the church Santa Maria Maddalena Convertita at the women's prison of he Giudecca island during the 60th Biennale of Arts exhibition in Venice, Italy, Wednesday, April 17, 2024. A pair of nude feet dirty, wounded and vulnerable are painted on the façade of the Venice women's prison chapel, the work of Italian artist Maurizio Cattelan and part of the Vatican's pavilion at the Venice Biennale in an innovative collaboration between inmates and artists. (AP Photo/Luca Bruno)

An installation by artist Simone Fattal is displayed inside the women's prison at the Giudecca island during the 60th Biennale of Arts exhibition in Venice, Italy, Wednesday, April 17, 2024. A pair of nude feet dirty, wounded and vulnerable are painted on the façade of the Venice women's prison chapel, the work of Italian artist Maurizio Cattelan and part of the Vatican's pavilion at the Venice Biennale in an innovative collaboration between inmates and artists. (AP Photo/Luca Bruno)

Reporters watches an installation by artist Corita Kent displayed inside the women's prison at the Giudecca island during the 60th Biennale of Arts exhibition in Venice, Italy, Wednesday, April 17, 2024. A pair of nude feet dirty, wounded and vulnerable are painted on the façade of the Venice women's prison chapel, the work of Italian artist Maurizio Cattelan and part of the Vatican's pavilion at the Venice Biennale in an innovative collaboration between inmates and artists. (AP Photo/Luca Bruno)

An installation by artist Simone Fattal is displayed inside the women's prison at the Giudecca island during the 60th Biennale of Arts exhibition in Venice, Italy, Wednesday, April 17, 2024. A pair of nude feet dirty, wounded and vulnerable are painted on the façade of the Venice women's prison chapel, the work of Italian artist Maurizio Cattelan and part of the Vatican's pavilion at the Venice Biennale in an innovative collaboration between inmates and artists. (AP Photo/Luca Bruno)

An installation by artist Simone Fattal is displayed inside the women's prison at the Giudecca island during the 60th Biennale of Arts exhibition in Venice, Italy, Wednesday, April 17, 2024. A pair of nude feet dirty, wounded and vulnerable are painted on the façade of the Venice women's prison chapel, the work of Italian artist Maurizio Cattelan and part of the Vatican's pavilion at the Venice Biennale in an innovative collaboration between inmates and artists. (AP Photo/Luca Bruno)

The installation 'White Sight' by artist Claire Fontaine is displayed inside the women's prison at the Giudecca island during the 60th Biennale of Arts exhibition in Venice, Italy, Wednesday, April 17, 2024. A pair of nude feet dirty, wounded and vulnerable are painted on the façade of the Venice women's prison chapel, the work of Italian artist Maurizio Cattelan and part of the Vatican's pavilion at the Venice Biennale in an innovative collaboration between inmates and artists. (AP Photo/Luca Bruno)

The installation 'Siamo con voi nella notte' (We are with you overnight) by artist Claire Fontaine is displayed inside the women's prison at the Giudecca island during the 60th Biennale of Arts exhibition in Venice, Italy, Wednesday, April 17, 2024. A pair of nude feet dirty, wounded and vulnerable are painted on the façade of the Venice women's prison chapel, the work of Italian artist Maurizio Cattelan and part of the Vatican's pavilion at the Venice Biennale in an innovative collaboration between inmates and artists. (AP Photo/Luca Bruno)

The installation '"I piedi, insieme al cuore, portano la stanchezza e il peso della vita" ('The feet, together with the heart, carry the tiredness and weight of life') by Italian artist Maurizio Catalan is displayed on the facade of the church next to the women's prison at the Giudecca island during the 60th Biennale of Arts exhibition in Venice, Italy, Wednesday, April 17, 2024. A pair of nude feet dirty, wounded and vulnerable are painted on the façade of the Venice women's prison chapel, the work of Italian artist Maurizio Cattelan and part of the Vatican's pavilion at the Venice Biennale in an innovative collaboration between inmates and artists. (AP Photo/Luca Bruno)

NEW YORK (AP) — Shohei Ohtani hit a leadoff homer and scored four times, Mookie Betts also went deep and drove in four runs, and the Los Angeles Dodgers routed the New York Mets 10-2 on Thursday night for a 3-1 lead in their lopsided National League Championship Series.

Betts had a two-run homer and a two-run double among his four hits. Max Muncy extended his streak of reaching base safely to 12 plate appearances, a postseason record, and the Dodgers moved within one win of their 25th pennant — most in NL history.

Game 5 is Friday at Citi Field, with Jack Flaherty expected to pitch for Los Angeles looking to put his hometown team in the World Series.

David Peterson was set to make his first playoff start for New York after pitching well out of the bullpen this postseason.

“Peterson is fully rested. Last time he pitched was four days ago. So I’m anticipating him making a regular start,” Mets manager Carlos Mendoza said.

Surprise cleanup batter Tommy Edman had three RBIs, including a tiebreaking double off starter Jose Quintana with two outs in the third inning. Kiké Hernández followed with an RBI single that made it 3-1.

Betts broke open the game, greeting reliever Jose Buttó with a two-run double in the fourth and then right-hander Phil Maton with a two-run homer in the sixth.

Both big hits followed walks to Ohtani, handed three straight free passes after homering on consecutive swings going back to Game 3.

“Not only Ohtani, you have to take care of the other guys behind him,” Mendoza said. “When he goes out there first at-bat of the game and hits it like that, obviously, it’s a good feeling for them. We knew that wasn’t going to beat us, but we couldn’t just stop it.”

Betts gave a huge fist pump between second and third as he rounded the bases following his third homer of these playoffs.

Mark Vientos provided a rare highlight for New York, hitting his fourth postseason homer in the first inning off $325 million rookie Yoshinobu Yamamoto.

But the Mets, who were 14-2 in their past 16 games at Citi Field when they arrived back home Wednesday, were blown out on their own turf for the second successive night.

New York has been outscored 30-9 in the series, including 9-0 in the opener and 8-0 in Game 3.

“You’ve got to give those guys credit. That’s a deep lineup,” Mendoza said. “And whether (our starters) are feeling it or not, we haven’t executed and we haven’t got length from them.”

The latest flop after a thrilling comeback ride this far into October hushed a sellout crowd of 43,882 and left Citi Field eerily quiet in the late innings — and just about as empty as April.

Evan Phillips earned the win with 1 1/3 scoreless innings in relief of Yamamoto.

Trailing 7-2, the staggering Mets had a chance to get back in the game when they loaded the bases with nobody out in the sixth. But then Phillips got two outs and Blake Treinen retired pinch-hitter Jesse Winker on a fly to the right-field warning track.

TRAINER’S ROOM

Dodgers: All-Star 1B Freddie Freeman missed his second game of the playoffs. Freeman has been playing with a badly sprained and swollen right ankle throughout the postseason.

Mets: Slumping catcher Francisco Alvarez hobbled to first base in pain after getting drilled by Yamamoto's 91 mph sinker to begin the fifth. He was pulled for a pinch hitter with the bases loaded in the sixth.

UP NEXT

Acquired from Detroit at the July 30 trade deadline, Flaherty went 6-2 with a 3.58 ERA in 10 regular-season starts for the Dodgers and finished 13-7 with a 3.17 ERA overall. He allowed two hits over seven innings to win the NLCS opener 9-0.

AP MLB: https://apnews.com/hub/mlb

Los Angeles Dodgers' Shohei Ohtani scores past New York Mets catcher Francisco Alvarez on a double by Mookie Betts during the fourth inning in Game 4 of a baseball NL Championship Series, Thursday, Oct. 17, 2024, in New York. (AP Photo/Ashley Landis)

Los Angeles Dodgers' Shohei Ohtani scores past New York Mets catcher Francisco Alvarez on a double by Mookie Betts during the fourth inning in Game 4 of a baseball NL Championship Series, Thursday, Oct. 17, 2024, in New York. (AP Photo/Frank Franklin II)

Los Angeles Dodgers' Shohei Ohtani reacts after getting hit with a foul ball during the eighth inning in Game 4 of a baseball NL Championship Series against the New York Mets, Thursday, Oct. 17, 2024, in New York. (AP Photo/Ashley Landis)

Los Angeles Dodgers' Shohei Ohtani breaks his bat and grounds out against the New York Mets during the seventh inning in Game 4 of a baseball NL Championship Series, Thursday, Oct. 17, 2024, in New York. (AP Photo/Adam Hunger)

Los Angeles Dodgers' Shohei Ohtani celebrates after scoring on Mookie Betts two-run home run against the New York Mets during the sixth inning in Game 4 of a baseball NL Championship Series, Thursday, Oct. 17, 2024, in New York. (AP Photo/Frank Franklin II)

Los Angeles Dodgers' Shohei Ohtani celebrates in the dugout after scoring on a double by Mookie Betts during the fourth inning in Game 4 of a baseball NL Championship Series against the New York Mets, Thursday, Oct. 17, 2024, in New York. (AP Photo/Frank Franklin II)

Los Angeles Dodgers' Mookie Betts celebrates after a two run double against the New York Mets during the fourth inning in Game 4 of a baseball NL Championship Series, Thursday, Oct. 17, 2024, in New York. (AP Photo/Adam Hunger)

Los Angeles Dodgers' Mookie Betts hits a two-run home run against the New York Mets during the sixth inning in Game 4 of a baseball NL Championship Series, Thursday, Oct. 17, 2024, in New York (AP Photo/Adam Hunger)

Los Angeles Dodgers' Mookie Betts celebrates after a two-run home run against the New York Mets during the sixth inning in Game 4 of a baseball NL Championship Series, Thursday, Oct. 17, 2024, in New York. (AP Photo/Frank Franklin II)

Los Angeles Dodgers' Mookie Betts celebrates after a two-run home run against the New York Mets during the sixth inning in Game 4 of a baseball NL Championship Series, Thursday, Oct. 17, 2024, in New York. (AP Photo/Ashley Landis)