Cringy moves and a white b-girl's durag prompt questions about Olympic breaking's authenticity

PARIS (AP) — From the Australian b-girl with the meme-worthy “kangaroo” dance move to the silver-medal winning Lithuanian in a durag, breaking's Olympic debut had a few moments that raised questions from viewers about whether the essence of the hip-hop art form was captured at the Paris Games.

Rachael Gunn, or “b-girl Raygun," a 36-year-old professor from Sydney, Australia, quickly achieved internet fame, but not necessarily for Olympic-level skill. Competing against some b-girls half her age, she was swept out of the round-robin stage without earning a single point, and her unconventional moves landed flat while failing to match the skill level of her foes.

At one point, Gunn raised one leg while standing and leaned back with her arms bent toward her ears. At another, while laying on her side, she reached for her toes, flipped over and did it again in a move dubbed “the kangaroo.”

Gunn has a Ph.D. in cultural studies, and her LinkedIn page notes she is “interested in the cultural politics of breaking."

“I was never going to beat these girls on what they do best — their power moves,” said Gunn. “What I bring is creativity.”

Clips of her routine have gone viral on TikTok and elsewhere, and many cringed at her moves platformed on the Olympic stage as a representation of hip-hop and breaking culture.

“It's almost like they are mocking the genre,” wrote one user on X.

Many Black viewers, in particular, called out Lithuania’s silver medalist b-girl Nicka, (legally named Dominika Banevič) for donning a durag during each of her battles. Durags, once worn by enslaved Africans to tie up their hair for work, are still worn by Black people to protect and style their hair. They became a fashionable symbol of Black pride in the 1960s and 1970s and, in the 1990s and early 2000s, also became a popular element of hip-hop style. But when worn by those who aren’t Black, durags can be seen as cultural appropriation. Banevič is white.

Actor Kevin Fredericks responded on Instagram to Banevič donning the headwear by saying it looked “weird to see somebody who don’t need it for protective style or waves to be rocking the durag.”

The 17-year-old breaker ultimately won the silver medal after losing in the final to Japan's b-girl Ami (Ami Yuasa).

For her part, Banevič has credited the breakers from the 1970s in the Bronx — the OGs — or “original gangsters” in hip-hop who created the dance — for her own success and breaking style.

“It’s a huge responsibility to represent and raise the bar every time for breaking because they did an amazing job. Big respect for the OGs and the pioneers that invented all those moves. Without them, it wouldn’t be possible," she said. “Without them, breaking wouldn't be where it is today. So I'm grateful for them.”

Friday night’s slips “may have alienated too many new viewers to garner the anticipated response from our Olympic premiere,” said Zack Slusser, vice president of Breaking for Gold USA and USA Dance, in a text message to the Associated Press.

“We need to change the narrative from yesterday’s first impression of breaking as Olympic sport. There were significant organizational and governance shortcomings that could have been easily reconciled but, unfortunately, negatively impacted Breaking’s first touching point to a new global audience.”

The challenge for Olympic organizers was to bring breaking and hip-hop culture to a mass audience, including many viewers who were skeptical about the dance form’s addition to the Olympic roster. Others feared the subculture being co-opted by officials, commercialized and put through a rigid judging structure, when the spirit of breaking has been rooted in local communities, centered around street battles, cyphers and block parties. Hip-hop was born as a youth culture within Black and brown communities in the Bronx as a way to escape strife and socio-economic struggles and make a statement of empowerment at a time when they were labeled as lost, lawless kids by New York politicians.

Refugee breaker Manizha Talash, or “b-girl Talash,” channeled that rebellious vibe by donning a “Free Afghan Women” cape during her pre-qualifier battle — a defiant and personal statement for a 21-year-old who fled her native Afghanistan to escape Taliban rule. Talash was quickly disqualified for violating the Olympics' ban on political statements on the field of play.

Both American b-girls were eliminated in Friday’s round-robin phase, a blow to the country representing the birthplace of hip-hop in what could be the discipline’s only Games appearance. B-girl Logistx (legal name Logan Edra) and b-girl Sunny (Sunny Choi) both ranked in the top 12 internationally but came up short of the quarterfinals.

“Breaking for the Olympics has changed the way that some people are dancing,” said Choi, referring to some of the flashier moves and jam-packed routines. "Breaking changes over time. And maybe I’m just old-school and I don’t want to change. ... I think a lot of people in our community were a little bit afraid of that happening.”

The b-boys take the stage on Saturday to give Olympic breaking another chance at representing the culture.

Associated Press Race & Ethnicity Editor Aaron Morrison contributed to this report from New York.

AP Olympics: https://apnews.com/hub/2024-paris-olympic-games

American artist Snoop Dogg stands on stage prior to the breaking competition at La Concorde Urban Park at the 2024 Summer Olympics, Friday, Aug. 9, 2024, in Paris, France. (AP Photo/Frank Franklin)

Lithuania's Dominika Banevic, known as B-Girl Nicka, competes during the B-Girls quarterfinals at the breaking competition at La Concorde Urban Park at the 2024 Summer Olympics, Friday, Aug. 9, 2024, in Paris, France. (AP Photo/Frank Franklin)

Australia's Rachael Gunn, known as B-Girl Raygun, competes during the Round Robin Battle at the breaking competition at La Concorde Urban Park at the 2024 Summer Olympics, Friday, Aug. 9, 2024, in Paris, France. (AP Photo/Abbie Parr)

Australia's Rachael Gunn, known as B-Girl Raygun, competes during the Round Robin Battle at the breaking competition at La Concorde Urban Park at the 2024 Summer Olympics, Friday, Aug. 9, 2024, in Paris, France. (AP Photo/Frank Franklin)

NEW YORK (AP) — A federal appeals court on Monday upheld a jury’s finding in a civil case that Donald Trump sexually abused a columnist in an upscale department store dressing room in the mid-1990s.

The 2nd U.S. Circuit Court of Appeals issued a written opinion upholding the $5 million award that the Manhattan jury granted to E. Jean Carroll for defamation and sexual abuse.

The longtime magazine columnist had testified at a 2023 trial that Trump turned a friendly encounter in spring 1996 into a violent attack after they playfully entered the store’s dressing room.

Trump skipped the trial after repeatedly denying the attack ever happened. But he briefly testified at a follow-up defamation trial earlier this year that resulted in an $83.3 million award. The second trial resulted from comments then-President Trump made in 2019 after Carroll first made the accusations publicly in a memoir.

In its ruling, a three-judge panel of the appeals court rejected claims by Trump's lawyers that trial Judge Lewis A. Kaplan had made multiple decisions that spoiled the trial, including his decision to allow two other women who had accused Trump of sexually abusing them to testify.

The judge also had allowed the jury to view the infamous “Access Hollywood” tape in which Trump boasted in 2005 about grabbing women’s genitals because when someone is a star, “you can do anything.”

“We conclude that Mr. Trump has not demonstrated that the district court erred in any of the challenged rulings," the 2nd Circuit said. “Further, he has not carried his burden to show that any claimed error or combination of claimed errors affected his substantial rights as required to warrant a new trial.”

In September, both Carroll, 81, and Trump, 78, attended oral arguments by the 2nd Circuit.

Steven Cheung, a Trump spokesperson, said in a statement that Trump was elected by voters who delivered "an overwhelming mandate, and they demand an immediate end to the political weaponization of our justice system and a swift dismissal of all of the Witch Hunts, including the Democrat-funded Carroll Hoax, which will continue to be appealed.”

Roberta Kaplan, a lawyer who represented Carroll during the trial and is not related to the judge, said in a statement: “Both E. Jean Carroll and I are gratified by today’s decision. We thank the Second Circuit for its careful consideration of the parties’ arguments.”

The first jury found in May 2023 that Trump sexually abused Carroll and defamed her with comments he made in October 2022. That jury awarded Carroll $5 million.

In January, a second jury awarded Carroll an additional $83.3 million in damages for comments Trump had made about her while he was president, finding that they were defamatory. That jury had been instructed by the judge to accept the first jury’s finding that Trump had sexually abused Carroll.

Trump testified for under three minutes at the second trial and was not permitted to challenge conclusions reached by the May 2023 jury. Still, he was animated in the courtroom throughout the two-week trial, and jurors could hear him grumbling about the case.

FILE - E. Jean Carroll exits the New York Federal Court after former President Donald Trump appeared in court, Sept. 6, 2024, in New York. (AP Photo/Eduardo Munoz Alvarez, File)