Venice Film Festival: From ‘Joker 2’ to ‘Maria,’ here are 10 movies to get excited about

VENICE, Italy (AP) — Some of Hollywood’s biggest stars are getting ready to descend on the Venice Film Festival this week, from George Clooney and Angelina Jolie to Lady Gaga and Brad Pitt.

But while the allure of A-listers on those picturesque docks is a welcome return to form after last year’s lower-wattage edition amid the strikes, the spotlight that matters most will be on their films. Along with Cannes, Venice — which runs from Aug. 28 through Sept. 7 — is one of the most glamorous launching pads for awards season. The films that do well on the Lido will be dominating the conversation until the Oscars in March.

In this year's lineup, there’s both big Hollywood fare (“Beetlejuice Beetlejuice” and “Horizon: An American Saga—Chapter 2” to “Wolfs”) and a vast array of intriguing films from auteurs around the world. At festivals, the best thing is to keep an open mind and see as much as possible — you never know what might hit. In the meantime, though, here are 10 films to get excited about at Venice.

No matter which side of the “Joker” discourse you were on five years ago, the fact that all involved would bring the sequel back to Venice to play in competition is promising. “Joker: Folie à Deux” doesn’t need the festival buzz, after all. The first film made over $1 billion and was nominated for 11 Oscars. Venice chief Alberto Barbera told Deadline that it’s completely different from the first, a dystopian musical that is “one of the most daring, brave and creative films in recent American cinema” and “confirms Todd Phillips as one of the most creative directors working at the moment.” It’ll be in theaters Oct. 4.

Chilean filmmaker Pablo Larraín is not to be ignored when he makes a film about a famous woman with a tragic narrative (see: “Spencer,” “Jackie”). This time he’s teamed with screenwriter Steven Knight (“Peaky Blinders”) and Jolie to bring opera singer Maria Callas back to life in “Maria.” The soprano was a tabloid fixture, perhaps most famous for her affair with Aristotle Onassis, who would end up leaving her for another of Larraín’s tragic women: Jacqueline Kennedy. Callas died in 1977, at age 53, but remains one of classical music’s bestselling artists. “Maria” is playing in competition and seeking distribution.

Luca Guadagnino returns to Venice with “Queer,” an adaptation of the William S. Burroughs novel, starring Daniel Craig in a performance that Barbera has called “career defining.” It follows an American expat to Mexico City on a quest for a drug. There, he encounters all sorts of characters and develops an obsession with a young man. The novel was written in the early 1950s, a sort of companion piece to “Junkie,” but not published until 1985. Others have attempted to adapt it before, including Steve Buscemi and Oren Moverman. “Queer” is also seeking distribution.

Pedro Almodóvar’s English-language debut, with Julianne Moore and Tilda Swinton starring? We barely even need a description to get excited about that, which is probably good because details are vague. He’s said that it’s about an imperfect mother and a resentful daughter who are estranged because of a “profound misunderstanding.” In addition to tackling subjects like war, death, friendship and sexual pleasure, Almodóvar said, “it also talks about the pleasure of waking up to birds bringing a new day at a house built on a natural reserve in New England.” It’ll also make a stop at the New York Film Festival before a December release.

Dutch filmmaker Halina Reijn made the wildly fun “Bodies Bodies Bodies,” so we’re especially curious what “Babygirl” holds. The erotic thriller stars Nicole Kidman (who 25 years ago came to Venice with “Eyes Wide Shut”) as a powerful CEO who begins an affair with a younger intern played by Harris Dickinson (“Triangle of Sadness,” “The Iron Claw”). Antonio Banderas also co-stars. A24 plans a December theatrical release.

This 3 1/2-hour drama from filmmaker Brady Corbet follows architect László Toth (Adrien Brody) and his wife Erzsébet (Felicity Jones) on a decadeslong journey as they flee Europe following World War II and attempt to set up a life in America. There, Toth meets industrialist Harrison Lee Van Buren (Guy Pearce), who commissions him to design a modernist monument, changing their lives for better and worse. Corbet (“Vox Lux”) is not always going to be a filmmaker for everyone, but he’s never not interesting. “The Brutalist” is seeking distribution in the U.S.; Universal is distributing internationally, though no release date has been set.

There are quite a few innovative offerings in the nonfiction space: Errol Morris’ “Separated,” about the Trump administration’s border policy; Asif Kapadia’s future-looking “2073”; “Pavements,” Alex Ross Perry’s hybrid doc about the Stephen Malkmus band; and Andres Veiel's “Riefenstahl.” But only one made it to the main competition: Wang Bing’s “Youth (Homecoming),” the conclusion to his verité documentary trilogy in which he followed migrant workers in Zhili, China’s textile factories across five years. It's seeking distribution.

Georgian filmmaker Dea Kulumbegashvili’s sophomore film is about Nina, an OB-GYN working in rural Georgia who also performs abortions, despite the laws of the country. When a newborn dies in her care, an investigation fuels rumors about her morality and professionalism. Three years after the abortion drama “Happening” snagged the top prize at Venice, the buzz is that this will be one of the breakouts. Kulumbegashvili’s debut, “Beginning,” about the bombing of a Jehovah’s Witnesses church, made waves on the festival circuit in 2020. “April,” which is seeking a U.S. distributor, is also set to play at TIFF and the New York Film Festival.

Jude Law produced and stars in this 1980s-set crime thriller about a white supremacist group who his FBI agent character suspects is tied to a series of crimes in the Pacific Northwest. Nicholas Hoult plays the group's charismatic leader in the Justin Kurzel-directed film, to be released in theaters in December.

“Attenberg” and “Chevalier” filmmaker Athina Rachel Tsangari returns to the main competition with “Harvest,” an adaptation of the Jim Crace novel set in a medieval English village where the locals use three newcomers as scapegoats for economic turmoil. It's apparently the reason star Caleb Landry Jones did his “Dogman” press with a Scottish accent last year. Mubi has distribution rights in several European territories, but no dates or U.S. plans have been announced.

This is not a film, but this series coming to AppleTV+ on Oct. 11 is from Alfonso Cuarón, who wrote and directed the seven-episode psychological thriller starring Cate Blanchett and Kevin Kline. Blanchett plays a journalist who discovers she's a character in a novel that reveals her dark secret.

For more coverage of the 2024 Venice Film Festival, visit https://apnews.com/hub/venice-film-festival.

This image released by Warner Bros. Pictures shows promotional art for the film "Joker: Folie à Deux." (Warner Bros. Pictures via AP)

This image released by Warner Bros. Pictures shows Joaquin Phoenix, left, and Lady Gaga in a scene from "Joker: Folie à Deux." (Niko Tavernise/Warner Bros. Pictures via AP)

This image released by Sony Pictures Classics shows Julianne Moore, right, and Tilda Swinton in a scene from "The Room Next Door." (Sony Pictures Classics via AP)

This image released by Sony Pictures Classics shows Julianne Moore, left, and Tilda Swinton in a scene from "The Room Next Door." (Sony Pictures Classics via AP)

This image released by A24 shows Nicole Kidman in a scene from "Babygirl." (Niko Tavernise/A24 via AP)

FILE - Angelina Jolie appears at the 77th Tony Awards in New York on June 16, 2024. Jolie brings opera singer Maria Callas to life in “Maria.” (Photo by Evan Agostini/Invision/AP, File)

This image released by Sony Pictures Classics shows Julianne Moore, right, and Tilda Swinton in a scene from "The Room Next Door." (Sony Pictures Classics via AP)

This image released by Warner Bros. Pictures shows Joaquin Phoenix, left, and Lady Gaga in a scene from "Joker: Folie à Deux." (Niko Tavernise/Warner Bros. Pictures via AP)

BARCELONA, Spain (AP) — English soccer fans have been waiting almost a lifetime to win another World Cup. Just imagine what British sailing fans feel when the America's Cup rolls around.

Their best yachtsmen have been trying — and failing — for 173 years to conquer the Holy Grail of sailboat racing.

The schooner America won the race's very first edition back in 1851 in a loop around the Isle of Wight, where Queen Victoria herself was in attendance as the Royal Yacht Squadron was bested off the English coast. Since then, no country has challenged to win the Auld Mug as many times as Britain — only to always come up short.

And this for a country that holds a record 30 Olympic medals in sailing and whose ships used to rule the oceans in the times of empire.

Ben Ainslie, the most successful sailor in Olympic history with four golds and a silver, heads the latest British effort to end the wait for the oldest international trophy in sport.

“It’s massive for us because we’re a proud sporting country and our maritime heritage is massive for us as an island nation,” Ainslie told The Associated Press after a race in Barcelona. “The America’s Cup is the one international sporting trophy Britain has never won. And it originated in the UK.

"So that’s a big motivator for us to try, as we say, and get the America’s Cup back home.”

Ainslie's description of the weight of history on his team's shoulders echoes that of England's soccer team, whose anthem, “Football’s coming home,” sums up the mission of trying to lift its first title since winning the 1966 World Cup.

While the country is soccer crazed and its wealthy Premier League the envy of the sport, Britain's history has for centuries been closely linked with its nautical might.

The 47-year-old Ainslie has the unique role at the America’s Cup in his dual position as INEOS Britannia's skipper and its team principal. That means he runs the team in every facet and calls the shots on the waves from his starboard cockpit on the 75-foot foiling monohull.

Britannia has made a promising start and topped the challenger standings in the opening round-robin phase, which included beating a strong Luna Rossa Prada Pirelli of Italy twice.

That gave the British team the right to select its rival for the challenger series semifinals, and on Friday it picked Switzerland's Alinghi Red Bull Racing. That meant Luna Rossa was paired with NYYC American Magic in the other series to be decided by the first boat to score five victories.

The last boat standing after the playoffs will win the Louis Vuitton Cup and face defending champion New Zealand in the America’s Cup finals.

Ainslie already knows what it feels like to win the America’s Cup, albeit for the Americans.

He was on the 2013 winner Oracle Team USA. After the Americans fell into a large early deficit against New Zealand, Ainslie, a tactician, was promoted from the backup crew to the race crew. New Zealand expanded its lead to 8-1 and match point, but Ainslie helped the American-flagged crew pull off one of the greatest comebacks in sport, winning eight straight races to become the first British sailor to win the America’s Cup in 110 years.

As to why the cup has proven so elusive to a nation that excels at sailing, Ainslie insists that it is just “incredibly hard” to dethrone a sitting champion in a winner-takes-all event like no other — the champion sets the rules, picks the venue and gets a ticket to the final of the next edition.

“(So) much goes into the competition, the technicality, the boats and the competitive nature of it," he says. "And the fact that we know that the defender is really in the hot seat. They’re rewriting the rules for the next event and are in the final. So if you have a strong defender, like the Team New Zealand that we’ve seen in previous America’s Cups, it’s very, very hard to beat.”

Britannia has the backing of billionaire Jim Ratcliffe, the owner of petrochemicals giant INEOS who bought into storied soccer club Manchester United this year. His sailing outfit also shares a technical director and design expertise with the Mercedes Formula 1 team.

Ainslie first challenged for the cup in 2017 in Bermuda. INEOS came aboard the following year and they made a run at the cup in 2021 in Auckland. Both times New Zealand won.

The America’s Cup was born some four decades before the modern Olympic Games, and only four countries have even won it. The Americans successfully defended the title 24 times until that incredible 132-year run ended in 1983 at the hands of the Australians. The Swiss were the last country to join the select club.

The first step for the Brits is emerging as the best challenger. They haven’t reached the match final since 1964.

“The only thing we have in our mind is trying to win the thing. I think we can win it,” Ainslie says. “If we can keep that momentum going, we can be dangerous. Are we going to do it this time or not? Only time will tell.”

AP sports: https://apnews.com/sports

FILE - Skipper Ben Ainslie steers the boat as the British team crosses the finish line in the second fleet race of the SailGP series in Sydney, Feb. 29, 2020. (AP Photo/Rick Rycroft, File)