Scott Turner, President-elect Donald Trump choice to lead the Department of Housing and Urban Development, is a former NFL player who ran the White House Opportunity and Revitalization Council during Trump’s first term.
Turner, 52, is the first Black person selected to be a member of the Republican's Cabinet.
Here are some things to know about Turner:
Turner grew up in a Dallas suburb, Richardson, and graduated from the University of Illinois Urbana-Champaign. He was a defensive back and spent nine seasons in the NFL beginning in 1995, playing for the Washington Redskins, San Diego Chargers and Denver Broncos.
During offseasons, he worked as an intern then-Rep. Duncan Hunter, R-Calif. After Turner retired in 2004, he worked full time for the congressman. In 2006, Turner ran unsuccessfully as a Republican in California’s 50th Congressional District.
Turner joined the Texas House in 2013 as part of a large crop of tea party-supported lawmakers. He tried unsuccessfully to become speaker before he finished his second term in 2016. He did not seek a third term.
Turner also worked for a software company in a position called “chief inspiration officer” and said he acted as a professional mentor, pastor, and councilor for the employees and executive team. He has also been a motivational speaker.
He and his wife, Robin Turner, founded a nonprofit promoting initiatives to improve childhood literacy. His church, Prestonwood Baptist Church, lists him as an associate pastor. He is also chair of the center for education opportunity at America First Policy Institute, a think tank set up by former Trump administration staffers to lay the groundwork if he won a second term.
Trump introduced Turner in April 2019 as the head of the new White House Opportunity and Revitalization Council. Trump credited Turner with “helping to lead an Unprecedented Effort that Transformed our Country’s most distressed communities.”
The mission of the council was to coordinate with various federal agencies to attract investment to so-called “Opportunity Zones," which were economically depressed areas eligible to be used for the federal tax incentives.
HUD is responsible for addressing the nation’s housing needs. It also is charged with fair housing laws and oversees housing for the poorest Americans, sheltering more than 4.3 million low-income families through public housing, rental subsidy and voucher programs.
The agency, with a budget of tens of billions of dollars, runs a multitude of programs that do everything from reducing homelessness to promoting homeownership. It also funds the construction of affordable housing and provides vouchers that allow low income families pay for housing in the private market.
During the campaign, Trump focused mostly on the prices of housing, not public housing. He railed against the high cost of housing and said he could make it more affordable by cracking down on illegal immigration and reducing inflation. He also said he would work to reduce regulations on home construction and make some federal land available for residential construction.
FILE - Scott Turner, the executive director of the White House Opportunity and Revitalization Council, speaks during a listening session with African-American leaders, May 21, 2020, in Ypsilanti, Mich. (AP Photo/Alex Brandon, File)
FILE - Scott Turner, the executive director of the White House Opportunity and Revitalization Council, attends a meeting in the Cabinet Room of the White House, May 18, 2020, in Washington. (AP Photo/Evan Vucci, File)
With his surprise-dropped “GNX,” Kendrick Lamar roars from zero to 60 faster than a turbocharged ’87 Buick, faster than you can shout “Mustaaaaard.” And waaaaay faster than you can decode the dense biblical centerpiece “Reincarnated.”
Keeping the same energy of his landmark Pop Out concert five months ago, Lamar surrounds himself with up-and-coming Los Angeles artists — from AzChike to Peysoh — and raps over thumping New West Coast soundscapes shaped by his longtime producer Sounwave, along with Jack Antonoff and a garageful of other beat mechanics. He’s once again “possessed by a spirit,” sprinkling 2Pac, Biggie and Nas references throughout and maintaining a me-against-the-world antipathy that includes but extends well beyond a certain Canadian: “I just strangled me a GOAT” and “now it’s plural.”
Lil Wayne, Snoop Dogg, Andrew Schulz, and even Fox’s Super Bowl broadcast can’t escape K-Dot’s chaotic crosshairs. Here’s hoping the chorus of “tv off” — an urgent call to “turn this TV off” repeated eight times — confuses the masses during his New Orleans halftime show in February.
This is Lamar leaning into the same creativity-juicing pride, self-righteous anger and supreme confidence that fueled the Grammy-nominated “Not Like Us” and won his Drake feud: “I kill ‘em all before I let ‘em kill my joy.” And yet, as with his first-ever hit “Swimming Pools (Drank),” even the most club-ready braggadocio songs — and there are plenty, including the massive “squabble up” and synth-stabbed Mustard production “hey now” — are slapped with a caution sticker. Introspection is baked into Lamar’s art. In “man at the garden,” he’s surveying his kingdom and glory and declares that while “I deserve it all,” “dangerously / nothing changed with me / still got pain in me.”
At age 37, Lamar remains in peak form (that breath control!) and stands alone in the rap world as a star who bridges generations without chasing trends. He generates his own gravity in the hip-hop universe. Pulling samples from the early ’80s — Debbie Deb, Luther Vandross, Whodini — he’s able to switch cadences and lyrical perspectives mid-song without ever losing the listener.
Album closer “gloria,” one of two tracks featuring former TDE labelmate SZA, is a glorious celebration of the pain and power of writing. In the vein of Common’s “I Used to Love H.E.R.” or Nas’ “I Gave You Power,” Lamar’s love story details a “complicated relationship” that listeners at first may think is about his longtime partner Whitney Alford, but turns out to be dedicated to his pen.
While carefully structured, “GNX” feels a bit more scattershot than Lamar’s traditionally concept-heavy studio albums. And there are hints that this collection of 12 songs is more of a “Part 1” or mixtape-type prelude to something more formal: The brief music video announcing the album features a snippet of a song that doesn’t even appear on “GNX.”
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This image provided Dave Free shows Kendrick Lamar "GNX" album cover. (Dave Free via AP)
FILE - Kendrick Lamar performs at Coachella Music & Arts Festival at the Empire Polo Club, April 16, 2017, in Indio, Calif. (Photo by Amy Harris/Invision/AP, File)